The third of a projected 10 volumes, VEXATIONS BOOK 3: Lexmark XM5163 decomposes the score of Erik Satie’s masterpiece through repeated photocopy degeneration. Beaulieu’s VEXATIONS moves writing towards “furniture music.”
Each volume uses a different photocopier to degenerate Satie’s score – with startlingly unique results. Taken as a 10-book suite, the completed project will present 840 variations (84 variations per book over 10 books)
Purchase a copy here (limited edition of 26 copies; 176 pages $26 + shipping)
Download a free PDF here
Pour se jouer 840 fois de suite ce motif,
il sera bon de se préparer au préalable,
et dans le plus grand silence, par des immobilités sérieuses
(“In order to play the theme 840 times in succession,
it would be advisable to prepare oneself beforehand,
and in the deepest silence, by serious immobilities”)
new from No PRESS:
The Tumbling Water Washes Bones by Jordan Abel
Produced in a limited edition of 50 copies, 20 of which are for sale.
to order , please email derek beaulieu at email@example.com
Jordan Abel is a Nisga’a writer residing in Rossland, BC. He is currently completing his PhD at Simon Fraser University where he is focusing on digital humanities and Indigenous poetics. Abel’s conceptual writing engages with the representation of Indigenous peoples in Anthropology and popular culture. Abel is the author of The Place of Scraps (winner of the Dorothy Livesay Poetry Prize and finalist for the Gerald Lampert Memorial Award), Un/inhabited and Injun.
over on twitter at @erasingwarhol i’ve just posted p.350 of my rewrite of warhol’s “a a novel”, each page eliding dialogue in favour of punctuation & onomatopoeia…
No Press is proud to announce the publication of
20 LINES by Matt Madden
Published in a limited edition of 40 copies (only 20 of which are for sale from the press), 20 LINES is available for $8.00 including domestic postage (+ $2 non-Canadian postage). To order please email derek beaulieu.
Madden has this to say about 20 LINES:
I recently finished a one-year drawing project called “20 Lines”
The initial inspiration was a prose book by the American Oulipo author Harry Mathews called 20 Lines a Day, which is a partial document of a period where he wrote 20 lines of prose every morning he was at his desk as a warm-up exercise. He was inspired by a quote by Stendhal to the effect of “20 lines a day, genius or not”. He took that notion literally in a somewhat wry way and I did the same kind of thing: well, 20 drawn lines, how is that so different from 20 lines of writing? (It’s faster for one thing, most of the time.)
I took it on once we moved to France because one of my goals here is to work on my drawing, which lags behind my writing and my structural/linguistic thinking about comics. My goal was to concentrate on the most basic elements of drawing–lines on a ground–to reflect on how lines fill space, how they fit together. Maybe not so much “reflect” as simply to put my drawing hand, my brain, and my eyes to work to see what would come out of it. How all that will translate back into my comics I don’t really know, but I see it as part of a process of taking more conscious control of my drawing both at a physical as well as conceptual level.
Matt Madden is a cartoonist who has taught at the School of Visual Arts and in workshops around the world. His work includes 99 Ways to Tell a Story: Exercises in Style (Penguin), a collection of his comics adaptation of Raymond Queneau’s Exercises in Style; a translation from the French of Aristophane’s The Zabîme Sisters (First Second); and Drawing Words & Writing Pictures and Mastering Comics, (First Second), a pair of comics textbooks written in collaboration with his wife, Jessica Abel. For six years the couple were also series editors for The Best American Comics from Houghton-Mifflin Harcourt. He is currently on an extended residency at La Maison des Auteurs in Angoulême, France.
George Murray’s newpoetry.ca features my visual poem “Game of Life: A User’s Manual”:
No Press is proud to announce the publication of
Ulysses by Jacqueline Valencia.
Published in a limited edition of 50 copies (only 25 of which are for sale), Ulysses is available for $3.50 including domestic postage (+ $1 non-Canadian postage). To order please email derek beaulieu.
On Dec 9, 2013 Jacqueline Valencia started handwriting – with spontaneous illustrations – the entirety of James Joyce’s Ulysses. The results are posted daily on gettinginsidejamesjoyceshead.blogspot.ca. Gathering the first 4 pages of Valencia’s obsessive practice, this edition of Ulysses claims the manuscript as Valencia’s.
Toronto-based poet, writer, and film critic Jacqueline Valencia earned her Honours BA in English at the University of Toronto (Literature major, Cinema Studies minor). Jacqueline is currently a freelancer, Assistant Editor at Beyond Borderlands, founding editor of These Girls On Film, and a film journalist and senior staff film critic at Next Projection.