dobson-beaulieu beaulieu-emersonOn Friday April 12, 2013 at 7:00pm at Calgary’s Pages Books (1135 Kensington Rd NW) we will be celebrating the launch of Please, No more poetry: the poetry of derek beaulieu and Writing Surafces: selected fiction of john riddell (both from Wilfrid Laurier UP, 2013). Local writers Christian Bök, Richard Harrison, Natalie Simpson, Kathleen Brown, Karis Shearer and others will read /respond to / perform beaulieu’s works and good times will be had. Hosted by Kit Dobson, the editor of Please, No More Poetry.

More about Please, No more poetry: the poetry of derek beaulieu:

Since the beginning of his poetic career in the 1990s, derek beaulieu has created works that have challenged readers to understand in new ways the possibilities of poetry. With nine books currently to his credit, and many works appearing in chapbooks, broadsides, and magazines, beaulieu continues to push experimental poetry, both in Canada and internationally, in new directions. Please, No More Poetry is the first selected works of derek beaulieu.

As the publisher of first housepress and, more recently, No Press, beaulieu has continually highlighted the possibilities for experimental work in a variety of writing communities. His own work can be classified as visual poetry, as concrete poetry, as conceptual work, and beyond. His work is not to be read in any traditional sense, as it challenges the very idea of reading; rather, it may be understood as a practice that forces readers to reconsider what they think they know. As beaulieu continues to push himself in new directions, readers will appreciate the work that he has created to date, much of which has become unavailable in Canada.

With an introduction by Kit Dobson and an interview with derek beaulieu by Lori Emerson as an afterword, Please, No More Poetry offers readers an opportunity to gain access to a complex experimental poetic practice through thirty-five selected representative works.

More about Writing Surfaces: Selected Fiction of John Riddell:

John Riddell is best known for “H” and “Pope Leo, El ELoPE,” a pair of graphic fictions written in collaboration with, or dedicated to, bpNichol, but his work moves well beyond comic strips into a series of radical fictions. In Writing Surfaces, derek beaulieu and Lori Emerson present “Pope Leo, El ELoPE” and many other works in a collection that showcases Riddell’s remarkable mix of largely typewriter-based concrete poetry mixed with fiction and drawings.

Riddell’s work embraces game play, unreadability and illegibility, procedural work, non-representational narrative, photocopy degeneration, collage, handwritten texts, and gestural work. His self-aware and meta-textual short fiction challenges the limits of machine-based composition and his reception as a media-based poet.

Riddell’s oeuvre fell out of popular attention, but it has recently garnered interest among poets and critics engaged in media studies (especially studies of the typewriter) and experimental writing. As media studies increasingly turns to “media archaeology” and the reading and study of antiquated, analogue-based modes of composition (typified by the photocopier and the fax machine as well as the typewriter), Riddell is a perfect candidate for renewed appreciation and study by new generations of readers, authors, and scholars.

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