The publication of bill bissett’s Rush: what fuckan theory; a study uv language in 1972 firmly ushered Canadian poetics into the postmodern era. Out of print for 40 years – and reissued here complete with an interview with bissett about the book’s creation and a critical afterword by derek beaulieu and Gregory Betts – Rush embodies a collagist, multi-conscious approach to art that recognizes no division between the work and the world, the author and his sexuality, his breath, his influences; the theory and the practice. Arguing that “a new line has started,” Rush captures the urgency of a new model of production that resists the closure and mastery of any one mind. It is an elegant rejection of aesthetic ego and all presumptions of authority. Rush: what fuckan theory; a study uv language is a vital, vocal protest against business as usual and the exploitation of the individual from one of Canada’s most important avant-garde poets.
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