For the last two years I have posted my “most engaging books” list (2011′s list, 2010′s list) with a selection of what i considered the most fascinating / useful / generative books of the year. Seek out these volumes, every one will reward the search (and your local, independent, bookstore can help…). This is the cream of the crop for 2012:
Jaap Blonk Traces of Speech / Sprachspuren. (Berlin: Hybriden-Verlag.)
Amaranth Borsuk. Handiwork. (New York: Slope.)
Amaranth Borsuk and Brad Bouse. Between Page and Screen. (Los Angeles: Siglio.)
Sophie Calle. The Address Book. (Los Angeles: Siglio.)
Natalie Czech. I have nothing to say. Only to show.(Leipzig: Spector Books)
Johanna Drucker. Druckworks: 40 years of Books and Projects. (Chicago: Columbia College)
Craig Dworkin, Simon Morris and Nick Thurston. Do or DIY. (York: information as material.)
Emma Healey. Begin with the End in Mind. (Winnipeg: Arbeiter Ring.)
Dennis Lee. testament. (Toronto: House of Anansi.)
Edouard Leve. Autoportrait. trans. Lorin Stein (London: Dalkey Archive Press.)
Silvio Lorusso and Sebastian Schmieg. 56 Broken Kindle Screens. (print on demand.)
Jena Osman. Public Figures. (Middletown: Wesleyan UP)
Tom Phillips. A Humument. 5th edition (London: Thames and Hudson.)
Nicola Simpson, ed. Notes from the Cosmic Typewriter: The Life and Work of Dom Sylvester Houédard. (London: Occasional Papers)
Barrie Tullett. A Poem to Phillip Glass. 2nd edition. (York: The Caseroom Press.)
I am one of the keynote speakers at the PUBLIC POETICS conference this coming Sept 20-23 at Mount Allison University
LOCAL COLOUR : Ghosts, variations is a collaboration between In Edit Mode Press and Canadian poet Derek Beaulieu. The publication takes as its point of departure, Paul Auster’s novella Ghosts, and, in particular, Derek Beaulieu’s reworking of Auster’s text, Local Colour, which he describes as follows:
‘Local Colour’ is a page-by-page interpretation of Paul Auster’s 72-page novella ‘Ghosts’. ‘Ghosts’ concerns itself with Blue, a private detective hired by a mysterious character named White to transcribe the actions of Black, a denizen of Brooklyn Heights living on Orange Street. As Blue reports his findings, the reader becomes more aware of the intricate relationship between Black and White, and a tactile awareness of the role of colour spreads through the narrative. With ‘Local Colour’, I have removed the entirety of Auster’s text, leaving only chromatic words—proper nouns or not—spread across the page as dollops of paint on a palette. Taking inspiration from Kenneth Goldsmith’s Gertrude Stein on Punctuation (Abaton Books, 2000) what remains is the written equivalent of ambient music—words which are meant to be seen but not read. The colours, through repetition, build a suspense and crescendo which is loosened from traditional narrative into a more pointillist construction.
Focusing on the tension created in Beaulieu’s manuscript – and alluded to in the description of his process – between the textual narrative and the relatively abstract graphical mark, and the opening it seems to provide towards a sonic realm, we are now hoping to solicit a series of textual, aural, oral, musical, and other interpretations, as well as more machinic ‘utilisations’, of Beaulieu’s manuscript. What interests us, in particular, is the way in which Local Colour seems to split Auster’s narrative text open, deterritorialising it, serially, by rendering it purely graphical, freeing it up, in the same gesture, to an excess and a bifurcation of meaning. Seeking to extend and amplify this ambition, we are now opening the project up for others – writers, poets, musicians, artists – to split Beualieu’s manuscript open, to deterritorialise the coloured rectangles of his manuscript by textual, aural, narrative, graphical and other means.
Local Colour: Ghosts, variations collects and counterposes a wide array of strategies and approaches. It features both textual and aural contributions and contributions that combine text and sound. We hope it will prove an ambitious, vigorous collection that oscillates and moves between textual narrative, graphical mark, and aural impression, exploring these different realms whilst rendering uncertain any easy distinction between them.
Local Colour: Ghosts, variations will available to purchase towards the end of 2012. The release of the publication will coincide with an event featuring live performances and readings in Malmö, Sweden. Contributing poets, artists and musicians include Steve Giasson, Craig Dworkin, Eric Zboya, Helen White, Elisabeth Tonnard, Gary Barwin, Pär Thörn, Peder Alexis Olsson, Cecilie Jordheim, Andreas Kurtsson, Cia Rinne, Martin Glaz Serup, and Ola Lindefelt.