Archives for category: concrete / visual poetry

UntitledNo Press is proud to announce the publication of

An excerpt from A Poem to Philip Glass by Barrie Tullett.

Published in a limited edition of 50 copies (only 25 of which are for sale), An excerpt from A Poem to Philip Glass is available for $2.50 including domestic postage (+ $1 non-Canadian postage). To order please email derek beaulieu.

Barrie Tullett is editor of Typewriter Art: A Modern Anthology. He is Senior Lecturer in Graphic Design at the Lincoln School of Art and Design, and co-founder of The Caseroom Press, an independent publisher of artists’ books based in Lincoln and Edinburgh. 

silver 4 - 'i am two worlds'

No Press is proud to announce the publication of

Silver by Phil Miletic

Published in a limited edition of 40 copies (only 20 of which are for sale), Silver is available for $2.50 including domestic postage (+ $1 non-Canadian postage). To order please email derek beaulieu.

Phil Miletic is a writer and vispo artist from Kitchener, ON. His chapbooks include world 1-1 cowritten with Craig Dodman (forthcoming from 89+ / Poetry will be made by all) and And the Birds Sing (Ribbon Pig), and his work has recently been featured in otoliths, Poetry is Dead, indefinite space, and outlandish. 

pages_loading_1of2No Press is proud to announce the publication of

Pages Loading by Eric Schmaltz

Published in a limited edition of 40 copies (only 20 of which are for sale), Pages Loading is available for $2.00 including domestic postage (+ $1 non-Canadian postage). To order please email derek beaulieu.

Pages Loading explores the transient & frequent instances of textual transmutation in digital reading environments. As code & meta-data become vernacular, fugitive obfuscation manifests as blurry, pixelated, and nebulous digital pages. Pages Loading captures these interstitial moments, observing the commonplace linguistic disruption of the e-reader interface.

Eric Schmaltz is an experimental poet living in Toronto.

photoNo Press is proud to announce the publication of

Daisy Knell by Ken Hunt

Published in a limited edition of 40 copies (only 20 of which are for sale), Daisy Knell is available for $2.00 including domestic postage (+ $1 non-Canadian postage). To order please email derek beaulieu.

This poem isolates letters from page 98 of NASA’s voice transcription of the Apollo 11 moon mission, uncovering (in sequential order) the musical notes of two chorus lines from Harry Dacre’s “Daisy Bell” (“A Bicycle Built for Two”). These chorus lines famously appear as the death knell of the computer HAL in Arthur C. Clarke and Stanley Kubrick’s 2001: A Space Odyssey.

Ken Hunt is the author of Space Administration (89+/LUMA Foundation, 2014). For three years, Ken served as editor of NōD Magazine, the University of Calgary English department’s publication of undergraduate prose, poetry, and visual art. In 2010, Ken co-founded The Scribe and Muse, a University of Calgary club that promotes writing and literacy, offering a free peer-editing service to students across all faculties. Ken lives in Calgary.

T E X T ual A R T i1948091_636690513079598_462224199_nvity: a month-long display of visual poetry
Official Opening / Reception / poetry reading / open mike
Tuesday, April 1, 2014 7:30 p.m.
The Human Bean,King Street, downtown Cobourg, ON.

Featuring visual poetry by Angela Rawlings, Derek Beaulieu, Camille Martin, Bill Bissett, Helen Hajnoczky, Robert Zend, Lindsay Cahill, Mark Laliberte, Jenny Sampirisi, Eric Schmaltz, Angela Szczepaniak, Gregory Betts & Neil Hennessy, Pearl Pirie, Eric Winter, Jessica Smith, Ted Amsden, Sharon Harris, Cliff Bell-Smith, Mary McKenzie, Wally Keeler, Katriona Dean, Gary Barwin, Judith Copithorne, michael j. casteels,
Alixandra Bamford, Em Lawrence and Dan Waber

Final emblem catalogue image Final emblem catalogue image spineShandy Hall has just released the sumptuous catalogue for their 2011 exhibition “The Emblem of my Work” designed to celebrate the 250th anniversary of Sterne’s marbled page, which Sterne described as ‘the motly emblem of my work’, 169 artists and writers were invited to design the Emblem of their own work.

Finally, this box of delights has been concocted where the identity of each Emblem-maker can be discovered in the booklet provided.  The catalogue is limited to 225 copies of which only 55 are available (170 copies are reserved for the participating artists and writers).
If you would like to reserve a copy, please contact the Curator at Shandy Hall.
The catalogue has been produced for the Laurence Sterne Trust by Colin Sackett.
Each contains an original, miniature marbled page by Payhembury Marbled Papers.

I’m proud to be included in this catalogue alongside such luminary colleagues as Tom Phillips, John Baldessari, Jen Bervin, Christian Bok, Helen Hajnoczky, Eric Zboya, Lemony Snicket and Eugen Gomringer…

ch4 16 FLAT Reading Remove copyNo Press is proud to announce the publication of Kristen Mueller’s “Partially Removing the Remove of Literature”

 

Produced in a limited edition of 50 hand-bound copies.

 

Partially Removing the Remove of Literature is a reading of Nick Thurston’s book Reading the Remove of Literature, which is itself a reading of Maurice Blanchot’s book L’Espace littéraire (The Space of Literature). In Thurston’s appropriation, he has assiduously erased every page of Blanchot’s seminal work, while preserving his own marginalia, through a processual transposition of hand-writing into formal typography. In Mueller’s reading of Thurston, she has partially erased every page of his book, leaving only Thurston’s (extra-textual(?)) markings—the underlinings and arrows, parentheses and exclamation marks—intact. By layering these remains, chapter for chapter, she presents portraits of Thurston’s reading of Blanchot, collapsed and condensed, proffering the gift of theft.

 

Kristen Mueller is the author of Language to Cover a Page (Motto Books, 2014). A longer version of Partially Removing the Remove of Literature will be published by her small press, & So, in 2014. 

 

“Partially Removing the Remove of Literature” is now available for $5ea.

 

To order please email derek beaulieu

 

photoNo Press is proud to announce the publication of Kate Briggs’s “On reading as an alternation of flights and perchings.”

Produced in a limited edition of 50 hand-bound copies.

Kate Briggs teaches the translation workshop component of the Master’s in Cultural Translation at The American University of Paris. She also teaches creative writing at Paris College of Art and in 2013-14 will be guest tutor at Piet Zwart Institute, Rotterdam. She is co-editor of The Nabokov Paper (Information as Material, 2013)

“On reading as an alternation of flights and perchings.” is now available for $3ea.

To order please email derek beaulieu

The November 2013 issue of Alberta Views features a review of Please, No More Poetry: the poetry of derek beaulieu:please no more poetry review

antonovskyNo Press is proud to announce the publication of a rare opportunity to gain insight in to the range of visual poetry produced in Ukraine. rarely seen in North America, these authors seek dialogue with contemporary international practice while responding to the tradition of visual poetry in Eastern Europe.

TWO FROM UKRAINE a collection of visual poems by Andrí Antonovsky and Volodymyr Bilyk

Each copy of TWO FROM UKRAINE includes:

Scobes by Volodymyr Bilyk (a 16-page visual poetry suite in a hand-stitched edition)

робота така робота by Andrí Antonovsky (a 16-page full-colour collection of Antonovsky’s visual poetry collages in a hand-stitched edition)

bilykComadots by Volodymyr Bilyk (a 4-page visual poetry suite pamphlet)

all of which are gathered in a rubber-stamped envelope and published in a strictly limited edition of 60 copies.

TWO FROM UKRAINE is now available for $12ea.

To order please email derek beaulieu

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